BERLIN — Six men whirled faster and faster in the center of the nightclub, arms slung over one another’s shoulders, performing a traditional circle dance popular in Turkey and the Middle East. Nothing unusual given the German capital’s large Muslim population.
But most of the people filling the dance floor on Saturday at the club SO36 in the Kreuzberg neighborhood were gay, lesbian or bisexual, and of Turkish or Arab background. They were there for the monthly club night known as Gayhane, an all-too-rare opportunity to merge their immigrant cultures and their sexual identities.
European Muslims, so often portrayed one-dimensionally as rioters, honor killers or terrorists, live diverse lives, most of them trying to get by and to have a good time. That is more difficult if one is both Muslim and gay.
“When you’re here, it’s as if you’re putting on a mask, leaving the everyday outside and just having fun,” said a 22-year-old Turkish man who spoke on the condition of anonymity out of fear that he would be ostracized or worse if his family found out about his sexual orientation.
Safety and secrecy come up regularly when talking to guests, who laugh and dance, but also frequently look over their shoulders. To be a gay man or lesbian with an immigrant background invites trouble here in two very different ways.
“Depending on which part of Berlin I go to, in one I get punched in the mouth because I’m a foreigner and in the other because I’m a queen,” said Fatma Souad, the event’s organizer and master of ceremonies. Ms. Souad, 43, a transgender performer born in Ankara as a boy named Ali, has put on the party for over a decade.
Ms. Souad came to Berlin in 1983 after leaving home as a teenager. She studied to be a dressmaker and played in a punk band, but discovered Middle Eastern music through a friend and began teaching herself belly dancing. Ms. Souad started Salon Oriental, her first belly dancing theater, in 1988, and threw the first Gayhane party — hane means home in Turkish — in January 1997.
The club was packed by midnight and still had a line out the front door. On stage, Ms. Souad mixed a white turban and white net gloves with a black tuxedo with tails and a silver cummerbund, her face made up with perfectly drawn eyeliner and mascara. Dancing, she was all fluid motion, light on her feet, expressively twisting her hands and swiveling her hips.
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